![]() The first part of the film is told entirely from Bauby's point of view, with the camera seeing only the blurry, imprecise images that he sees: When his right eye must be sewn shut to keep it from drying out, we see that from inside the eyelid. ![]() ![]() In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young children, a 44-year-old man known and loved for his wit, his. What's fascinating is that it is the very restrictions the story imposes on a director that allow Schnabel to turn it into such an eerie stunner of a movie. A triumphant memoir by the former editor-in-chief of French Elle that reveals an indomitable spirit and celebrates the liberating power of consciousness. And once a therapist devised a system for him, he could blink whole words and phrases.Īnd over the course of 14 months, he was able to blink out, one letter at a time, a best-selling memoir of his ordeal called The Diving Bell and the Butterfly - a memoir that possibly no one but a neo-expressionist artist like Julian Schnabel would regard as an attractive basis for a film. Only his left eye worked - but that eye proved a window to the world, because with it, Bauby could blink yes-or-no answers to questions. He awoke in a hospital bed, unable to move or to speak, an angry, unrepentant prisoner of his own body. Jean-Dominique Bauby, editor of the French edition of Elle magazine, was a womanizing man-about-Paris at 43. Movies Bryant Park Project: A Beautiful Movie: 'The Diving Bell and the Butterfly' ![]()
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